SELECTED WRITING

“Artist Profiles: Chantal Fraser.” In Transits and Returns, edited by Tarah Hogue, Sarah Biscarra Dilley, Freja Carmichael, Léuli Eshrāghi and Lana Lopesi, 74–77. Vancouver: Vancouver Art Gallery; Brisbane: Institute of Modern Art, 2019.

“Chantal Fraser.” In GOMA Q: Contemporary Queensland Art, 44–45. Brisbane: Queensland Art Gallery | Gallery of Modern Art, 2015.

Eshrāghi, Léuli. “Charting Hxstories in Sāmoan Visual and Digital Art.” Journal of Environmental Media 2, no. 1 (2021): 8.1–8.8.

Fraser, Chantal. “Green Volume.” In Making Art Work, 212–17. Brisbane: Institute of Modern Art, 2021.

Fraser, Jenny. “Chantal Fraser.” In The Other APT: An Exhibition of Other Perspectives from the Others for the Others, 11. Brisbane: Raw Space Gallery, 2006.

Kubler, Alison. “Chantal Fraser.” Vault Magazine 33 (February–April 2021): 108–109.

Linz, Talia. “Art & Australia / Credit Suisse Private Banking Contemporary Art Award: Chantal Fraser.” Art & Australia 48, no. 1 (Spring 2010), 192.

Lopesi, Lana. “One Directional Energy Transfer, Cultural Capital and the Indigenous Artist: On the Work of Chantal Fraser.” In The Commute, unpaginated. Brisbane: Institute of Modern Art, 2018.

Maunder, Tess. “Interview: Chantal Fraser.” In Absolute Humidity: A Report on Artistic Practices and the Weather in the Asia Pacific Region, 84–90. New York: Hardworking Goodlooking, 2018.

McCarthy, Amy-Clare. “Chantal Fraser.” In Churchie Emerging Art Award 2013, 32–33. Brisbane: Griffith University Art Museum, 2013.

Pederson, Courtney. “Chantal Fraser.” In Quaternary: QUT Art Museum Triennial, 36–39. Brisbane: Queensland University of Technology Art Museum, 2015, pp36-39. https://eprints. qut.edu.au/225529/1/Quaternary_Catalogue.pdf.

Tamisari, Franca. “L’art de la Rencontre: Audace, Drame et Subterfuge des Tactiques Performative.” In La Revanches des Genres: Art Contemporain Australien = The Revenge of Genres: Australian Contemporary Art, edited by Lucienne Strivay and Géraldine Le Roux, 38–53. Gentilly, France: Ainu Production, 2007.

Uhr, Kellee. Chantal Fraser: Messing Archaeology. Newstead: Level ARI, 2010.

Uhr, Kellee. “The Culture of Adornment: Materiality in the Work of Chantal Fraser and Maryann Talia Pau.” Art Monthly Australia 232 (August 2010), 60–61.

Wilson, Faith. “Colonialism’s White Bones.” In Chantal Fraser: It’s Incredible... It’s All Ours, edited by Louise Rutledge. Whanganui-a-Tara Wellington, Aotearoa New Zealand, Enjoy Contemporary Art Space, 2015.

Younger, Jay. “A Less Ordinary Legend.” In Debra Porch and Friends. Brisbane: Woolloongabba Art Gallery, 2018. https://www.elizabethshawjewelleryobjects.com/ uploads/1/4/5/2/14524152/debraporchandfriends-catalogue.pdf..